For the Union Dead

By Mihran Kalaydjian, CHA

Consultant, Strategist, and Writer

Image

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled to burst the bubbles
drifting from the noses of the cowed, compliant fish.

My hand draws back. I often sign still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized

fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.

Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
a girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,

shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked Negro infantry
on St. Gaudens’ shaking Civil War relief,
propped by a plank splint against the garage’s earthquake.

Two months after marching through Boston,
half of the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.

Their monument sticks like a fishbone
in the city’s throat.
Its Colonel is as lean
as a compass-needle.

He has an angry wrenlike vigilance,
a greyhound’s gentle tautness;
he seems to wince at pleasure,
and suffocate for privacy.

He is out of bounds now. He rejoices in man’s lovely,
peculiar power to choose life and die-
when he leads his black soldiers to death,
he cannot bend his back.

On a thousand small town New England greens
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic

The stone statutes of the abstract Union Soldier
grow slimmer and younger each year-
wasp-waisted, they doze over muskets
and muse through their sideburns…

Shaw’s father wanted no monument
except the ditch,
where his son’s body was thrown
and lost with his ‘niggers.’

The ditch is nearer.
There are no statutes for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling

over a Mosler Safe, the ‘Rock of Ages’
that survived the blast. Space is nearer.
when I crouch to my television set,
the drained faces of Negro school-children rise like balloons.

Colonel Shaw
is riding on his bubble,
he waits
for the blessed break.

The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.

The Song Unsung

By Mihran Kalaydjian, CHA
Consultant, Strategist, and Writer

IMG_1701_engraved black and white

The Song Unsung

So many people have sung so many songs
On and from earth to heaven
but they have not sung me
I am the   song
Unsung

Though I have the best beat
I move with a great rhythm
Yet I have not been put on music

The reason I know not
Nor I want to know
As it could be anything
But I am sure that it is not their ability
Neither the quality which I carry

If any one sings me
Instantly he or she will be
On the cloud nine
As I am the song
None has ever touched me
Purely unsung

Oh singers of the world
If you sing me
I shall make your fame to spread so wide
That your name can not hold
As I am the song unique
And totally unsung.

25 Words or Phrases to Avoid in Speeches and Presentations

By Mihran Kalaydjian, CHA

Consultant, Strategist, and Writer

Image

You’re really ready for this speech or presentation, aren’t you?

You have great content—and you know it cold. Your listeners will absolutely benefit from the information you’ll be giving them; in fact, you think it will change their lives for the better. So the last thing you want to do is weaken your message by using language you could just as easily do without.

In the spirit of combining your great message with effective delivery, here are 25 words or phrases you should avoid like the plague (gee, I guess I should have included clichés). Anyway, here they are, each with a brief explanation for their inclusion in this list:

1. “I” or “me”. The presentation is not about you, period. Self-consciousness and anxiety aside, it’s about the audience. Replace every “I” or “me” with “you,” “we,” or “us.” Keep the focus on your listeners rather than you.

2.”A little bit.” This phrase waters down your content. “I’d like to talk a little bit about . . .” pales next to, “Let’s discuss the industry trends we need to consider.”

3.”Just.” Similar to #2. Compare these two options: a) “I just want to say that I think we face some problems”; and b) “Listen! — Our backs are to the wall regarding these profit margins.”

4. “So . . .” Often uttered as the first word out of a speaker’s mouth. (Now you’re thinking back to your last presentation, aren’t you?) But “so” is a continuation of a previous thought. And at the start of your presentation, nothing has come before.

5. “Talk about.” Used repetitively in a monotonous way: “First, I’ll talk about what our competition is doing. Then I’ll talk about why we have to think differently. Then, I’ll talk about our new initiatives.” Then, I’m sure you will all shoot yourselves!

6. “My topic is . . .” To engage listeners immediately, you have to launch your presentation strongly. (See my article on “12 Foolproof Ways to Open a Speech.”) An opening that blandly announces your topic will fail in this respect. What’s engaging about telling people something they already know?

7. “I’ve been asked to speak about.” A variation of #6, and usually an attempt by the speaker to seem important.

8. “Sorry if” or “Sorry for.” Uh-oh. The speaker is apologizing for his or her presentation? “Sorry for this lengthy explanation. I couldn’t figure out a way to say it simply.” Okay, I invented that last sentence—but isn’t that what it sounds like?

9.”Excuse the eye chart.” (Variation: “I know this slide is really busy.”) Boy, haven’t you heard that one before? Here, the speaker actually is apologizing for making a PowerPoint slide incomprehensible. If a presenter can’t speak to everything on a slide in the time he or she shows it, the slide doesn’t work. It needs to be boiled down or broken up into more than one slide, or the speaker needs to tell the audience the full data are in the handout.

10. “I’d like to start out with a story.” A story is one of the flat-out most effective ways to open a speech or presentation. Its effect is considerably weakened, however, if you announce that you’re about to tell a story. I call it “introducing the Introduction.”

11. “There’s a funny joke . . .” Well, there may be. But you’re setting yourself up for failure if it isn’t funny. Zero-sum game and all that. Believe me, if you simply start with the joke, it’ll have much more punch. Even better: use humor rather than a joke. It won’t contain a punch-line, and it’s much easier to relate to your actual topic.

12. “Excuse me if I seem nervous.” Although some people think saying this will get an audience on your side, I think announcing your nerves is a bad idea. Most nervousness isn’t visible. Let the audience make the decision as to whether you look nervous. If they don’t notice it, why give the game away?

13. “I’m not good at public speaking.” Then go away.

14. “I’m not a speaker.” Yes, you are. Aren’t you giving a presentation? Besides, you don’t need to be a speaker unless you’re on the speaking circuit. Just share what you have to say with us. We’ll probably love it.

15. “I’ve never done this before.” You guessed it: this is instant death to your credibility. Again, do a good job and we’ll L-O-V-E you!

16. “Here are our key differentiators.” A fine phrase except for the salient words. This language is so overused that your “key differentiators” in your industry probably aren’t any such thing.

17. “I’ve divided them here into three buckets.” Unless you work on a farm or are planning to kick said bucket as part of the entertainment value of your talk, I would avoid the “buckets” cliché.

18. “Bear with me.” (Not “bare with me,” which would actually be interesting.) Typically said when the speaker is experiencing technical difficulties. We all do, of course. Why not have a back-up plan for keeping your audience interested if the technology doesn’t cooperate? I tell my clients—and I really mean it—that they should be prepared to give their talk if they leave their laptop with their slides in the cab on the way in from the airport.

19. “The next slide shows . . .” Transitions are vital elements of your speech or presentation. They help audience members negotiate the logic of your argument. You need to think about how to organically link your previous talking point with the one you’re about to introduce. Don’t appear to discover yourself what the next topic is when the slide pops onto the screen.

20. “Moving right along . . .” Truly the worst example of throwing one’s hands up in the air because you don’t know how to transition to your next point.

21. “Obstacles!” Or “Projects,” or any single word or phrase that blurts out what you’re about to discuss next. Find that organic transition, per Item #19 above.

22. “I think I’ve bored you enough.” Oh, let’s hope you haven’t bored your audience at all. And if you have, do you have to twist the knife this way?

23. “I didn’t have enough time . . .” Whether what you say after these words is “. . . to prepare,” “. . . to figure out what your needs were,” or “. . . to do the necessary research,” you shouldn’t be clueing your audience in to this startling reality.

24. “I’m running out of time, so I’ll go through this quickly.” It’s probably not a good idea to announce to everyone your lack of time management skills in this presentation, wouldn’t you say?

25. “That’s all I have.” “And so I didn’t give any thought to considering carefully how to end a speech vividly and memorably. So I’ll just jump off this cliff, and take you all with me!”

Do you have any death-dealing words or phrases to add to my list?