Mihran Kalaydjian Introducing Dubstep Piano on the lake

“If the lake sees the ocean, it will want big waves! If the ocean sees the lake, it will want calm days that lasts for years!”

“The sky loves lakes rather than oceans because it finds the opportunity to watch itself in the crystal clear mirrors of the lakes!”

 

Title: Dubstep Piano on the lake

 

 

Lyrics: 

Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.

In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cozy parlour, the tinkling piano our guide.

So now it is vain for the singer to burst into clamor
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past

Monolith

Monolith

At the foot of a northern pylon of the Harbour Bridge
I have kept my vigil since the mighty span was built.
I come early in the day from worn-out corners of the area
and sit when the sun is out until the waning afternoon,
thence to another role, another manifestation of duty.
On my way I pass a cavern echoing with traffic noise.
When the sun is setting it blazes up like a testing tunnel
of the cosmic fire at the beginning and ending of universes.
It reminds me we are not that far in time from a kalpa’s ending.
More than four thousand million years in the lives
of the starry and the planetary entities
who influence us and are never truly seen.
At the pylon’s base I meet with seeming fools and sages,
more of the former, alas, but it was ever the same
at the other Thebes. The great towering stone columns could fittingly house
the troglodytic priests and harbour an inward turning flame
in bifurcated flowering for the known and unknown god
and my own dilapidated dispensation.
The only way the scene differs now
is in the lack of overt piety,
the thinning out of conscious pilgrims passing by me
here upon the seasonally withered grass.